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In a fine chamber near King Śuddhodana’s palace, draw Mahāmayā Devī as being pregnant, and from the sky above her chamber, a white elephant with six tusks descending. Also, in four roundels of rainbow light above her chamber, draw the Lady’s four dream visions in a light wash style. In one, draw the elephant entering her body. In one, the Lady flying in the sky. In one, the Lady climbing rock mountains and reaching the summit. In one, many people bowing down to the Lady. The cycle on moving on from Tuṣita.In a fine chamber near King Śuddhodana’s palace, draw Mahāmayā Devī as being pregnant, and from the sky above her chamber, a white elephant with six tusks descending. Also, in four roundels of rainbow light above her chamber, draw the Lady’s four dream visions in a light wash style. In one, draw the elephant entering her body. In one, the Lady flying in the sky. In one, the Lady climbing rock mountains and reaching the summit. In one, many people bowing down to the Lady. The cycle on moving on from Tuṣita.
Panel 1 Chapter 4 Scene 1 Sequence 1

Chapter Ta [27.1] Brahma offers a whee[ The text does not describe Brahma offering a wheel, but it is depicted in the mural.]l and encourages [the Buddha] to teach dharma. [27.2] On his way to Varanasi, the Buddha meets Ājīvika, and [27.3] when the boatman wouldn’t sail the ferry, the Buddha flies up in the air, and so forth, according to general conventions.
Panel 2 Chapter 27 Scene 1 Sequence 1

[9.1] Draw the Bodhisattva in the aspect of having grown up a bit. He studies letters with a master of scripts, [9.2] math with a master of mathematics, horse and elephant riding skills with his maternal uncle, Mātulasulabha, and [9.3] archery and so forth with a weapons master.
Panel 1 Chapter 9 Scene 1 Sequence 1

[13.1] Gopā sees the Bodhisattva from the balcony of a fine chamber. With the force of one of her big toes, she causes the balcony to crumble. When the Bodhisattva sees Gopā from the carriage, the iron arrow in his hand breaks into pieces. [13.2] In a fine chamber, he takes Gopā and her entourage as his bride.
Panel 1 Chapter 13 Scene 1 Sequence 1

[15.2] The Bodhisattva goes to the farm fields where he sets free the farmers, the oxen, and so forth. [15.3] Then he goes a place where various servants are working and likewise sets them free. [15.4] The Bodhisattva rests in meditation at the foot a rose apple tree and [15.5] when its shadow does not leave his body, his father prostrates to him.
Panel 1 Chapter 15 Scene 1 Sequence 1

[16.1] Near a fine chamber, situated in an appropriate place, the Bodhisattva comes along seated in a carriage. Mṛgajā is looking from the window of the chamber. The Bodhisattva throws his pearl rosary which lands around her neck. In a fine chamber, the Bodhisattva takes Mṛgajā and as her entourage as his bride. The cycle on the harem of women.
Panel 1 Chapter 16 Scene 1 Sequence 1

[17.1] The city of Kapilavastu is fortified by seven walls and seven moats. Show the iron doors with great bells being barred by five hundred men. [17.2] Show five hundred men putting up a giant ladder and the collecting it. [17.3] Soldiers guard between each of the walls. The center of the palace is watched in the four directions by the king’s four brothers. The Bodhisattva is there himself. In a fine chamber in the palace, many women play music and make various offerings. Aniruddha stands watch in royal garb.
Panel 1 Chapter 17 Scene 1 Sequence 1

[22.1] Then in another location, draw [the Boddhisattva] bathing [21.2] and sleeping with a corpse as his pillow. [This action of using the corpse as a pillow takes place in chapter 21.2.] The cycle on austerities.Chapter Cha. Then, in one area the Bodhisattva bathes, [22.2] the retinue of five, dressed as mendicants, go elsewhere, and the Bodhisattva eats cooked rice. [22.3] The girls Nandā and Nandabalā offer milk porridge to the Buddha. [22.6] He throws the golden bowl in the Nairañjanā River. [22.7] A nāga collects it, but Indra, in guise of a garuḍa, steals it and takes it to the realm of gods.
Panel 2 Chapter 22 Scene 1 Sequence 1

[23.1 ]The Buddha stays in a cave surrounded by flowers but the cave crumbles and urged by the gods he goes away. [23.2] From the river, the nāga king Kālika praises the Buddha. [23.3] The grass-seller Svastika and his servants offer him grass. The cycle on the Bodhisattva proceeding to Bodhgaya.
Panel 2 Chapter 23 Scene 1 Sequence 1

[25.1] The subjugation of Māra and the attainment of enlightenment occur on the same night, but they are very distinct acts. Therefore, it is not necessary to draw [the Bodhisattva] achieving enlightenment in a separate scene. The Buddha rests in equanimity on the grass mattress under the Bodhi Tree. Immeasurable rays of light radiate from his body.
Panel 2 Chapter 25 Scene 1 Sequence 1

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